Fast forward a little bit and the groups has a highly successful Vegas magic act wherein they rob a bank using magic. Suffice to say the FBI doesn’t take too kindly to bank robbing magic or not. Enter Mark Ruffalo, a FBI agent charged with figuring out the hows and whys and generally playing the cat to our magician’s mouse, he also has a french partner who serves as a love interest and someone to explain plot threads and drop hints to the audience. Oh wait, Morgan Freeman takes that role-- not the love interest, (although that would prove an interesting twist) the plot explainer.
You see, after the big bank robbing trick our FBI agent goes to good old Morgan Freeman who offers up some lovely exposition explaining how they did it. Speaking of exposition, the movie has tons of it. The movie has a habit of characters rarely talking to each other. Most of the time we get exposition after exposition explaining the convoluted plot. But the biggest fault I found with the picture came in its use of screen time, namely its refusal to focus on the magician characters who prove the most interesting aspect of the film. Woody Harrelson feels like a joy to watch and has great chemistry with Jesse Eisenberg, their two characters represent the film's biggest strength which makes it all the more maddening that most of the film we follow Ruffalo’s character doing his tired FBI agent procedural schtick.
Wait a second, quirky characters and dialog between Woody Harrelson and Jesse Eisenberg? Haven’t we seen that before? Anyway, as things start heating up the film shows more and more Ruffalo and less and less of the magicians, which means more and more oh so redundant police procedural. Now to the film's credit it did have me fooled when it came to the twist at the end. However, when these big reveals that the film has flaunted over us throughout the picture do come along it feels: cheap, unearned, ultimately sloppy, and blows swiss cheese holes throughout the entire plot.
Because of the twist whole sequences make little to no sense in retrospect. All that aside, I would not call Now You See Me a total waste, it kept me mildly engaged throughout and it moves along at a fast enough pace that I could only pick it apart after it ended. It never aimed very high but it never sank to abysmal lows. Interesting ideas that needed a tighter, leaner, and smarter script to let them flourish.
6/10 - Interesting ideas and solid performances make for a decent ride.
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